Santa Maria Goretti Church by MCA – Mario Cucinella Architects













Santa Maria Goretti Church by MCA – Mario Cucinella Architects - 2



Santa Maria Goretti Church by MCA – Mario Cucinella Architects - 3




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Santa Maria Goretti Church by MCA – Mario Cucinella Architects - 4



Santa Maria Goretti Church by MCA – Mario Cucinella Architects - 5



Santa Maria Goretti Church by MCA – Mario Cucinella Architects - 6




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Santa Maria Goretti Church by MCA – Mario Cucinella Architects - 7



Santa Maria Goretti Church by MCA – Mario Cucinella Architects - 8



Santa Maria Goretti Church by MCA – Mario Cucinella Architects - 9



Santa Maria Goretti Church by MCA – Mario Cucinella Architects - 10



Santa Maria Goretti Church by MCA – Mario Cucinella Architects - 11


Description

Within the coronary heart of the Pollino Nationwide Park, stands the small mountain city of Mormanno, amongst whose hills stands the Santa Maria Goretti Church designed by MC A – Mario Cucinella Architects, winner of the Pilot Undertaking CEI 2011.

‘The structure of the Church, its inside areas, the artist’s interventions are the stations of a path of religious progress. Within the examine of varieties we sought stability: the power to mix sacred moments with the liturgical enjoyment of the church. Designing a church is a message of continuity with the spirit of artwork that has handed unperturbed by the centuries of humanity.’ Mario Cucinella

Solitary and monolithic, the Church dominates the pre-existing city context.

Like a white, gentle and steady sheet that bends and attracts an natural plant, the structure of the Church with its 16 meters in top stands as a casket that preserves and protects the intimate sacredness of the inside, in dialogue with the encompassing panorama.

Making the most of the brand new entry from the north-east aspect of the positioning, the Church is in truth the purpose of arrival of a spectacular route that overlooks the ridges of the Pollino Nationwide Park.

The premises of the rectory as a substitute reap the benefits of the present entry street to the positioning, making a form of small city advanced surrounded by gardens and overlooking the valley.

The monumental plan with an natural form is impressed by the geometries of a few of the most stunning Baroque church buildings, such because the “Basilica of Sant’Andrea delle Fratte” and “al Quirinale”, each in Rome, the Ghisilieri Oratory in Ferrara, the Church of “San Carlo alle Quattro Fontane” and the Church of “Sant’Ivo alla Sapienza” in Rome.

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The principle facade, which opens onto the brand new church sq., is characterised by just a few however important parts that outline the principle indicators of the Christian custom: the doorway portal and the cross. The image of the cross seems on the façade by slight flaking of the casing that draw shadow strains generated by the intersection with the doorway portal, giving life to a slight incision with on the identical time a powerful expressive worth. An indication that may be learn from afar and that lights up at dusk, thus turning into an indication within the night time.

Alongside the outer shell, a collection of clay tiles, made by the youngsters of the local people in the course of the interval of distance studying, based mostly on a undertaking by artist Giuseppe Maraniello, inform the story of the “By way of Crucis”. Inside this plastic scan, the episode of the crucifixion is narrated by a window overlooking the crucifix contained in the church; On June 6, the date of demise of the Saint to whom the Church is devoted, a ray of sunshine aligns itself with the window, fully illuminating the crucifix.

Specific consideration was paid to the churchyard, which is characterised as a single path, paved like the inside of the Church, which accompanies the customer to the doorway door. The monumental entrance to the Church is punctuated by phrases associated to the lifetime of Saint Maria Goretti, engraved on the facade, which symbolically accompanies the customer contained in the sacred house.

The inside is pervaded by pure gentle, the protagonist and image of the Christian language.

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From the highest of the Church, a collection of translucent veils, like scenic drapes, fill the central house, reverberating pure gentle by its folds in a play of reflections that harks again to the paranormal spectacle of the Northern Lights, thus creating an intimate and picked up environment.

Bringing the 2 disciplines of Structure and Artwork collectively harmoniously, the usage of supplies linked to custom resembling stone, bronze and mosaic confront and work together with the echo of the Baroque system. The sculptural works created by the artist Giuseppe Maraniello replicate the fluid shapes of the partitions of the Chapel, such because the Ambo, the determine of the Virgin Mary, the Eucharistic Custody and the Baptismal Font.

The furnishings in wooden and metal, designed by MC D – Mario Cucinella Design, have been intentionally conceived with a minimal and austere design, to focus on the architectural and sculptural parts.

Throughout the design, explicit consideration was paid to the harmonious relationship with the encompassing nature. The inexperienced roofs and the planted inside courtyards, in addition to the natural backyard in entrance of the Rectory for 0 km cultivation, additionally on the service of the neighborhood, contribute to the sustainability of the undertaking.

Images by Duccio Malagamba

Go to Mario Cucinella Architects


– by Matt Watts



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